<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>V4Vertical</title><description>V4Vertical is the industry paper of record for vertical drama — news, features, interviews and analysis for the practitioners building the portrait-screen format, published in writing and in audio.</description><link>https://v4vertical.tv/</link><language>en-gb</language><item><title>muVpix picks up global rights to Tides of Desire in slate push</title><link>https://v4vertical.tv/news/muvpix-picks-up-global-rights-to-tides-of-desire-in-slate-push/</link><guid isPermaLink="true">https://v4vertical.tv/news/muvpix-picks-up-global-rights-to-tides-of-desire-in-slate-push/</guid><description>The acquisition marks another step in muVpix&apos;s international expansion as platforms compete for premium vertical drama titles.</description><pubDate>Wed, 08 Jul 2026 00:00:00 GMT</pubDate><category>news</category><category>acquisitions</category><category>international expansion</category><category>premium positioning</category><category>rights licensing</category><author>V4Vertical News Desk</author></item><item><title>Palace Road begins principal photography along one real London street</title><link>https://v4vertical.tv/news/palace-road-principal-photography/</link><guid isPermaLink="true">https://v4vertical.tv/news/palace-road-principal-photography/</guid><description>The estate saga shoots its entire first season on the street it is named for — with residents on camera and a portrait rig light enough to walk.</description><pubDate>Sun, 05 Jul 2026 00:00:00 GMT</pubDate><category>news</category><category>production</category><category>casting</category><author>V4Vertical Staff</author></item><item><title>Fault Line locks a fifty-episode order for its inquiry season</title><link>https://v4vertical.tv/news/fault-line-fifty-episode-order/</link><guid isPermaLink="true">https://v4vertical.tv/news/fault-line-fifty-episode-order/</guid><description>The collapse thriller&apos;s second season will run as a single continuous public inquiry — one hearing room, fifty days, fifty episodes.</description><pubDate>Sat, 04 Jul 2026 00:00:00 GMT</pubDate><category>news</category><category>commissioning</category><category>writing</category><author>V4Vertical Staff</author><enclosure url="https://v4vertical.tv/audio/v4v_fault-line-fifty-episode-order_audio.mp3" length="1418597" type="audio/mpeg"/></item><item><title>Glass House renewed for a second season of sixty episodes</title><link>https://v4vertical.tv/news/glass-house-second-season/</link><guid isPermaLink="true">https://v4vertical.tv/news/glass-house-second-season/</guid><description>The wealth drama that made an architect&apos;s home its narrator returns with a doubled order, a second unit and the same rule — every shot through glass.</description><pubDate>Sat, 04 Jul 2026 00:00:00 GMT</pubDate><category>news</category><category>commissioning</category><category>production</category><author>V4Vertical Staff</author><enclosure url="https://v4vertical.tv/audio/v4v_glass-house-second-season_audio.mp3" length="1724961" type="audio/mpeg"/></item><item><title>What retention curves actually say about vertical drama</title><link>https://v4vertical.tv/analysis/what-retention-curves-actually-say/</link><guid isPermaLink="true">https://v4vertical.tv/analysis/what-retention-curves-actually-say/</guid><description>Completion rates are the format&apos;s favourite boast and its least examined number. Read the curve, not the headline figure — the story is in minute two.</description><pubDate>Fri, 03 Jul 2026 00:00:00 GMT</pubDate><category>analysis</category><category>retention</category><category>audience data</category><category>commissioning</category><author>Tomi Adebayo</author></item><item><title>“You are writing for a screen someone is holding”: the creator of Night Shift on portrait-first drama</title><link>https://v4vertical.tv/interviews/night-shift-creator-interview/</link><guid isPermaLink="true">https://v4vertical.tv/interviews/night-shift-creator-interview/</guid><description>Yemi Adesanya built a hospital series around one corridor, one shift and a lead nurse the camera never leaves. She explains why the phone changes the writing before it changes the shot.</description><pubDate>Thu, 02 Jul 2026 00:00:00 GMT</pubDate><category>interviews</category><category>craft</category><category>writing</category><category>directing</category><author>Ren Ito</author></item><item><title>Shooting the estuary at four in the morning: how Low Tide holds its nerve</title><link>https://v4vertical.tv/features/low-tide-shooting-the-estuary/</link><guid isPermaLink="true">https://v4vertical.tv/features/low-tide-shooting-the-estuary/</guid><description>The coastal noir gets its stillness from a production choice nobody notices — the tide table is the shooting schedule.</description><pubDate>Wed, 01 Jul 2026 00:00:00 GMT</pubDate><category>features</category><category>cinematography</category><category>production</category><category>craft</category><author>Tomi Adebayo</author></item><item><title>Appointment vertical: what the daily drop borrows from the radio serial</title><link>https://v4vertical.tv/analysis/appointment-vertical-daily-drop/</link><guid isPermaLink="true">https://v4vertical.tv/analysis/appointment-vertical-daily-drop/</guid><description>The binge model built streaming. Vertical drama is quietly rebuilding the opposite — a daily appointment, engineered for the commute — and the precedent is a century old.</description><pubDate>Tue, 30 Jun 2026 00:00:00 GMT</pubDate><category>analysis</category><category>distribution</category><category>audience data</category><category>format theory</category><author>Tomi Adebayo</author><enclosure url="https://v4vertical.tv/audio/v4v_appointment-vertical-daily-drop_audio.mp3" length="3212478" type="audio/mpeg"/></item><item><title>The grammar of the ninth wall</title><link>https://v4vertical.tv/features/the-grammar-of-the-ninth-wall/</link><guid isPermaLink="true">https://v4vertical.tv/features/the-grammar-of-the-ninth-wall/</guid><description>Portrait framing didn&apos;t remove the fourth wall — it added a new one, centimetres from the viewer&apos;s face. The strongest vertical drama is being written against it.</description><pubDate>Mon, 29 Jun 2026 00:00:00 GMT</pubDate><category>features</category><category>craft</category><category>writing</category><category>directing</category><category>format theory</category><author>Tomi Adebayo</author></item><item><title>Blocking a two-hander when the frame holds one</title><link>https://v4vertical.tv/features/blocking-a-two-hander/</link><guid isPermaLink="true">https://v4vertical.tv/features/blocking-a-two-hander/</guid><description>The portrait screen fits one person comfortably. The scene has two. Every solution to that arithmetic is a piece of film grammar the format is writing right now.</description><pubDate>Sat, 27 Jun 2026 00:00:00 GMT</pubDate><category>features</category><category>craft</category><category>directing</category><category>cinematography</category><author>Tomi Adebayo</author><enclosure url="https://v4vertical.tv/audio/v4v_blocking-a-two-hander_audio.mp3" length="2937461" type="audio/mpeg"/></item></channel></rss>